Death By Audio handmakes effect pedals in an underground warehouse in Queens, NYC.
Founded in 2002 by A Place To Bury Strangers singer-guitarist Oliver Ackermann, Death By Audio’s inaugural years were spent warehouse-jumping from Virginia to Brooklyn, eventually pending nine years in the infamous Williamsburg Death By Audio effects pedal factory, venue, recording studio, and live-work space. After the venue closed its doors in 2014, Death By Audio moved the effects pedal workshop to Queens, where Oliver and crew continue to make pedals by hand.
Every effect pedal we build features sturdy construction to survive even your loudest and most energetic live performances and we precisely engineer each pedal with the best components available to expand your musical horizons with new and original sounds. Bizarre technologies like medical-grade IC chips, obsolete transistors, and military surplus electronics are pushed beyond their limits to create dozens upon dozens of loud, abrasive, and mind-bending effect pedals that inspire musicians from DIY noise freaks to touring pros at the practice spot, in the recording studio, and onstage.
Originally a web-based effects customization service, Oliver turned artists’ wildest pedal desires into chaotic realities using his decades of rock ‘n roll know-how and Rhode Island School of Design training to develop radical new circuit design and layout ideas to redefine how musicians interact with their equipment, sometimes using intuitive arrays of sliders, dip-, and toggle-switches instead of traditional controls to help players break out of the same old set-it-and-forget-it sounds and discover new sources of inspiration.
Our goal at Death By Audio is to inspire you. Go and play some music right now. Hear your sound transform through one of our effect pedals. Turn your instrument upside down and play it with your other hand. Tape a microphone to your head. Search for cool and interesting sounds to make something new in the world.
And because we like to destroy things, all Death By Audio effect pedals are guaranteed for life. If you can possibly break it, we will fix it. We guarantee it.
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Sale!Contact for availability! Hundreds of possible distortion sounds at your fingertips, customizable via four selectable foot switches and eight internal DIP switches.
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Sale!Contact for availability! The Supersonic Fuzz Gun is a completely unique take on a fuzz pedal made with extremes of manipulation in mind.
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Sale!Contact for availability! The Soundwave Breakdown takes the idea of a screaming fuzz pedal and turns it inside out, utilizing specially matched transistors turned backwards to get its bombastic sound.
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Sale!Contact for availability! Playing the fifteen-minute-power-nap to the Echo Dream 2’s full-on Rip Van Winkle, the Micro Dream is a bite-sized echo snack for the modern musician on the go.
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Sale!Contact for availability! The Robot is a lo-fi 8-bit electric pitch regenerator with a clock refrequencizer and absolutely no feelings whatsoever.
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Sale!Contact for availability! The TSA2 creates a controllable feedback loop, causing your pedals to cycle back on themselves, feeding the output back into the input as much or as little as you want.
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Sale!Contact for availability! The Evil Filter takes an IC chip built for medical testing equipment and warps it into a mutated, psychotic pro-grade High-Pass, Band-Pass, and Low-Pass filter.
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Sale!Contact for availability! The Interstellar Overdriver Deluxe doubles down on the original, adding a second stackable channel of transparent overdrive plus five new circuit-bent modifications.
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Sale!Contact for availability! The Deep Animation is an amped-up take on your favorite auto-wah effects blasting into dynamic modulated overdrivers, dub-worthy subsonic space bumps, and so much quack you'll want to put it on everything.
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Sale!Contact for availability! The Micro Harmonic Transformer packs the same crunchy, gigantic harmonic saturation, distortion, and sustaining fuzz of the original cult-classic Harmonic Transformer in a smaller, pedalboard-friendly format.